The Passenger (2023)

The film explicitly critiques capitalism and liberalism from a radical leftist, Marxist, and anti-imperialist perspective, advocating for radical social change over moderate reform.

The film features traditional casting with a focus on two white male characters, without explicit engagement with broader racial, ethnic, or gender diversity themes. While it delves into male trauma, toxic masculinity, and power dynamics within a workplace, these elements are explored as individual psychological struggles and indirect critiques of male identity rather than explicit systemic DEI issues.