Vishwanathan, a Kathak dance teacher in New York, is happy in his marriage with Nirupama, a nuclear oncologist who married him to pursue higher studies in the USA. Deciding to cut ties with her husband, Nirupama hires a private detective to monitor his activities. To her utter shock, certain truths about her husband are subsequently revealed, setting off a chain of events that will change both of their lives irreversibly.
Vishwanathan, a Kathak dance teacher in New York, is happy in his marriage with Nirupama, a nuclear oncologist who married him to pursue higher studies in the USA. Deciding to cut ties with her husband, Nirupama hires a private detective to monitor his activities. To her utter shock, certain truths about her husband are subsequently revealed, setting off a chain of events that will change both of their lives irreversibly.
The film's central focus on national security and the necessity of combating terrorism through intelligence and individual heroism aligns with a right-leaning perspective, despite its nuanced portrayal of the protagonist's identity and the moral complexities of espionage.
The film features a cast that reflects the global setting of its spy thriller plot, including actors of various nationalities, without explicitly engaging in DEI-driven casting or subverting traditional roles. The narrative primarily focuses on counter-terrorism and espionage, portraying traditional identities neutrally or positively without a central DEI critique.
Vishwaroopam features Salim, a gay classical dancer, as a supporting character. His identity is present through his mannerisms and is somewhat stereotypical, but it is neither central to the plot nor a source of significant mockery or affirmation. The film's portrayal of LGBTQ+ themes is largely incidental, avoiding strong positive or negative arcs.
The film strongly distinguishes between extremist terrorism and the religion of Islam, portraying the former as a perversion of faith. It features numerous positive Muslim characters who embody peace, loyalty, and true religious values, positioning the audience to condemn bigotry against the faith and sympathize with its peaceful adherents.
The film features Dr. Ashmita Subramaniam, a RAW agent, who participates in tactical operations and uses firearms. However, there are no scenes depicting her defeating male opponents in close-quarters physical combat using martial arts, strength, or melee weapons.
Vishwaroopam is an original film with characters created for its narrative. There are no pre-existing source materials, historical figures, or prior adaptations from which characters' genders could have been swapped.
Vishwaroopam is an original film, not an adaptation of existing source material or a biopic. Its characters were created for this specific movie, thus lacking any prior canonical or historical racial establishment that could be subject to a race swap.
Combines user and critic ratings from four sources