Meet Savi, a successful career woman working toward the next phase in her life—both professional and personal—simultaneously bucking for partner at her law firm while she and her husband, Harry, try to start a family of their own. Savi's free-spirited and capricious baby sister, Josselyn, couldn't be more different—living single, serial dating and partying, and regularly leaning on her big sister along the way. Their common best friend, April, a recent widow and mother of two, is rebuilding her life after tragedy and learning to move forward, with the support and guidance of her closest girlfriends. And friend Karen, a successful therapist with her own practice, reconnects with the girls after her involvement in a complicated relationship with a patient goes far too deep.
Meet Savi, a successful career woman working toward the next phase in her life—both professional and personal—simultaneously bucking for partner at her law firm while she and her husband, Harry, try to start a family of their own. Savi's free-spirited and capricious baby sister, Josselyn, couldn't be more different—living single, serial dating and partying, and regularly leaning on her big sister along the way. Their common best friend, April, a recent widow and mother of two, is rebuilding her life after tragedy and learning to move forward, with the support and guidance of her closest girlfriends. And friend Karen, a successful therapist with her own practice, reconnects with the girls after her involvement in a complicated relationship with a patient goes far too deep.
Mistresses receives a neutral rating as its central focus is on the personal dramas and complex relationships of four women, exploring themes of infidelity, friendship, and individual choices without explicitly promoting or critiquing any specific political ideology or societal structure.
The movie features a visibly diverse main cast, including White, Asian, and Black lead characters, without explicitly recasting traditionally white roles. The narrative focuses on personal relationships and challenges, maintaining a neutral stance on traditional identities and not centering on explicit DEI critiques.
The show positively portrays a main character's exploration of her bisexuality. Her same-sex relationships are depicted with dignity, complexity, and agency, receiving significant narrative focus. Challenges faced are external dramatic conflicts, not tied to or demeaning her queer identity, affirming the worth of LGBTQ+ lives and love within the narrative.
The 2013 US adaptation of "Mistresses" features several main characters whose races differ from their established counterparts in the original British series. For instance, characters originally portrayed as white are recast as Black and Asian, and a character originally portrayed as South Asian is recast as white.
The movie does not contain any action or adventure elements.
The 2013 American series "Mistresses" is an adaptation of the 2008 British series. Both versions feature four female protagonists, and no established character from the source material was portrayed as a different gender in the adaptation.
Combines user and critic ratings from four sources