Post-apocalyptic survivors find refuge in the Rocky Mountains to hide from giant, insect-like creatures that can't live above 8,000 feet. However, when one of them needs life-saving supplies, they risk it all to venture into the danger zone.
Post-apocalyptic survivors find refuge in the Rocky Mountains to hide from giant, insect-like creatures that can't live above 8,000 feet. However, when one of them needs life-saving supplies, they risk it all to venture into the danger zone.
The film's political content is largely metaphorical and existential, focusing on universal themes of survival, human ingenuity, and community without engaging in contemporary U.S. partisan debates, identity politics, or specific policy issues.
The movie demonstrates significant diversity through its casting of a Black lead in a prominent role and features well-developed female characters. While it addresses themes of health equity and community, the narrative primarily focuses on a universal survival story without explicitly foregrounding racial or ethnic tensions or deeply exploring systemic inequities.
The film 'Elevation' does not appear to feature any identifiable LGBTQ+ characters or themes based on the provided information. Reviews and plot summaries focus on its post-apocalyptic survival narrative, cast performances, and action sequences, without detailing any LGBTQ+ representation.
Female characters Nina and Katie engage in close-quarters and melee combat against monstrous creatures called 'reapers.' While they contribute to the group's survival and the creatures' defeat, the film does not detail instances of them defeating human male opponents in direct physical combat.
The film features original characters and is not an adaptation of pre-existing source material or historical figures. Therefore, no canonical or historical gender baselines exist for comparison, and no gender swaps are present.
Elevation (2024) features original characters created for the film, with no pre-existing source material or historical basis defining their race. Therefore, no character could have been canonically established as a different race prior to casting.
Combines user and critic ratings from four sources