Viewer Rating
Combines user and critic ratings from four sources
If you go fishing, be prepared to draw the fish of your dreams, the magical Pike, which can grant any three wishes. Only Emelya let two wishes down the drain, and decided to save the third. Therefore, in order to achieve the hand of the royal daughter Anfisa, he will have to act without magical power, on his own. And Pike will help him, who without her skin will appear as an ordinary girl Vasilisa.
If you go fishing, be prepared to draw the fish of your dreams, the magical Pike, which can grant any three wishes. Only Emelya let two wishes down the drain, and decided to save the third. Therefore, in order to achieve the hand of the royal daughter Anfisa, he will have to act without magical power, on his own. And Pike will help him, who without her skin will appear as an ordinary girl Vasilisa.
The film is a traditional fantasy adaptation of a Russian fairy tale, focusing on universal themes of personal growth, self-reliance, and romance. It contains no explicit political messaging or contemporary commentary, adhering to apolitical storytelling and traditional genre tropes.
The film is a Russian fantasy adventure based on traditional folklore, featuring primarily Russian characters and adhering to classic fairy tale gender roles. It does not incorporate diverse casting or narratives that challenge traditional identities or engage with contemporary DEI themes.
The film "Wish of the Fairy Fish" does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers on a traditional fantasy story of love and wishes, without delving into LGBTQ+ representation or commentary. Therefore, it offers no specific portrayal of the LGBTQ+ community.
The film is a children's fantasy that does not feature any scenes where female characters engage in or win direct physical combat against male opponents. Conflicts are resolved through magical means or narrative progression rather than hand-to-hand fighting.
The film's characters, including Emelya, the Magic Pike/Vasilisa, and Princess Anfisa, maintain genders consistent with their traditional folklore and source material representations. No character's on-screen gender differs from their established canonical gender.
All major characters are portrayed by actors whose ethnicity and appearance align with the Slavic/Russian folklore origins. The casting of a Russian-Georgian actor for a potentially foreign noble character is an ethnic shift, not a racial one, and does not constitute a race swap.
Combines user and critic ratings from four sources