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A former anti-terrorism officer teams up with a hacker and his girlfriend to execute a string of strategic attacks. As the authorities race to stop them, their true motive slowly unravels—a dangerous mission to uncover a high-level conspiracy involving government corruption and betrayal.
A former anti-terrorism officer teams up with a hacker and his girlfriend to execute a string of strategic attacks. As the authorities race to stop them, their true motive slowly unravels—a dangerous mission to uncover a high-level conspiracy involving government corruption and betrayal.
The film critiques corruption and abuse of power within government and intelligence agencies, a theme that resonates across the political spectrum, and champions individual action to expose truth and seek justice without advocating for specific ideological solutions or systemic overhauls.
The film features a cast that reflects the natural diversity of its Indian production context, without explicit race or gender swaps of roles traditionally associated with other demographics. Its narrative focuses on action and suspense, maintaining a neutral or positive portrayal of traditional identities and not centering on explicit DEI critiques.
The film "Arrambam" is an action thriller that does not feature any identifiable LGBTQ+ characters or themes within its narrative. The plot focuses on espionage and revenge, with no elements related to queer identity or experiences.
The film features female characters Maya and Priya, who are involved in the plot's dangerous situations but do not engage in or win close-quarters physical combat against male opponents. Their roles are primarily intellectual and supportive.
Arrambam is an original film with no pre-existing source material, historical figures, or prior installments. All characters were created for this specific movie, thus precluding any gender swaps from established canon.
Arrambam is an original Tamil-language film, not an adaptation of existing source material or a biopic. All characters were created for this specific production, thus there are no pre-established racial portrayals from prior canon or history that could be altered.
Combines user and critic ratings from four sources