Picking up immediately after the events in Resident Evil: Retribution, Alice is the only survivor of what was meant to be humanity's final stand against the undead. Now, she must return to where the nightmare began - The Hive in Raccoon City, where the Umbrella Corporation is gathering its forces for a final strike against the only remaining survivors of the apocalypse.
Picking up immediately after the events in Resident Evil: Retribution, Alice is the only survivor of what was meant to be humanity's final stand against the undead. Now, she must return to where the nightmare began - The Hive in Raccoon City, where the Umbrella Corporation is gathering its forces for a final strike against the only remaining survivors of the apocalypse.
The film's central conflict and resolution strongly critique unchecked corporate power, scientific hubris, and extreme classism embodied by the Umbrella Corporation, aligning with left-leaning anti-corporate and anti-elitist sentiments.
The movie features a visibly diverse supporting cast, but it does not engage in explicit race or gender swaps of established roles. Its narrative maintains a neutral to positive framing of traditional identities, with DEI themes not being central to the plot.
The film features Alice, the protagonist, who repeatedly engages in and wins close-quarters physical combat against multiple male opponents, including the primary antagonist, Dr. Alexander Isaacs. Other female characters, such as Claire Redfield, also demonstrate similar combat prowess against male adversaries.
Resident Evil: The Final Chapter does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses solely on action, survival, and the fight against the Umbrella Corporation, without incorporating queer identities or experiences.
The film features characters like Alice, who is original to the film series, and adaptations such as Claire Redfield and Albert Wesker, whose on-screen genders align with their established canonical genders from the video games. No characters established as one gender in source material are portrayed as a different gender.
The film primarily features characters whose race aligns with their established portrayals in the game series or prior film installments. New characters introduced in this film do not constitute race swaps.
Combines user and critic ratings from four sources