Prime VideoThe Terminal List: Dark Wolf (2025)
Bias Rating
Analyzing...
Center
Viewer Rating
Rating: 7.6
Overview
Before The Terminal List, Navy SEAL Ben Edwards finds himself entangled in the black operations side of the CIA. The deeper Ben goes into the 'gray', the harder it will become to not give himself over to his darker impulses. Every man has two wolves inside him – light and dark – fighting for control. Which wolf will Ben Edwards feed?
Starring Cast
Where to watch
Prime VideoBias Dimensions
Political: Center
Diversity: Moderate
Islam: Negative
Overview
Before The Terminal List, Navy SEAL Ben Edwards finds himself entangled in the black operations side of the CIA. The deeper Ben goes into the 'gray', the harder it will become to not give himself over to his darker impulses. Every man has two wolves inside him – light and dark – fighting for control. Which wolf will Ben Edwards feed?
Starring Cast
Where to watch
Prime VideoDetailed Bias Analysis
Analyzing...
Center
Primary
The film consciously focuses on apolitical themes of military authenticity, brotherhood, and sacrifice, explicitly avoiding direct political commentary or ideological agendas, which aligns with a neutral stance.
The series features a visibly diverse cast, reflecting a multinational espionage environment and aiming for authenticity rather than explicit DEI-driven casting. The narrative avoids overt social messaging, maintaining a neutral or positive framing of traditional identities without explicit DEI critique.
Secondary
The series portrays Islam primarily through its association with geopolitical conflicts and features Islamic terrorist adversaries like ISIS. While acknowledging regional complexities, the narrative does not offer significant counterbalancing positive portrayals of the faith or its adherents beyond this context.
The Terminal List: Dark Wolf does not feature identifiable LGBTQ+ characters or themes. The show's narrative is centered on military action and personal struggles, with no notable LGBTQ+ representation or storylines mentioned in available sources.
The provided information indicates that female presence is limited and female fighters are not a primary focus of the narrative. While Eliza Perash is noted as a Mossad veteran, there are no specific details or descriptions of her or any other female character engaging in and winning close-quarters physical combat against male opponents.
Based on the provided information, no instances of gender-swapping in the casting or character adaptation of The Terminal List: Dark Wolf have been found or reported. Therefore, no characters established as one gender in prior canon are portrayed as a different gender.
No information indicates any character from prior canon or source material has been cast as a different race in The Terminal List: Dark Wolf.
Viewer Rating Breakdown
7.6
Viewer Rating
Combines user and critic ratings from four sources
User Ratings
7.7
7.5
Critic Ratings
7.5
N/A
More Like This
Traditional
7.1
Lone Survivor
(2013)
Political: Leans Right
Diversity: Low
Leans Traditional
10.0
In Trousers
(1979)
Political: Center
Diversity: Low
Traditional
8.2
A Quiet Place
(2018)
Political: Leans Right
Diversity: Low
Center
6.6
The Fantastic Journey
(1977)
Political: Center
Diversity: Moderate
Center
7.1
Robu
(2019)
Political: Center
Diversity: Moderate
Leans Traditional
6.9
Bell Diamond
(1986)
Political: Center
Diversity: Low
Leans Traditional
7.0
Escape from Terror: The Teresa Stamper Story
(1995)
Political: Center
Diversity: Low
Center
6.7
Strawberry Shortcake: Adventures on Ice Cream Island
(2004)
Political: Center
Diversity: Moderate
Leans Progressive
6.9
Hostiles
(2017)
Political: Leans Left
Diversity: Moderate
Leans Traditional
8.0
Deliverance
(1972)
Political: Center
Diversity: Low
Leans Traditional
6.9
Black Mass
(2015)
Political: Center
Diversity: Low
Center
7.2
The Best Christmas Pageant Ever
(2024)
Political: Center
Diversity: Moderate
Progressive
8.0
Till
(2022)
Political: Strong Left
Diversity: High
Leans Traditional
7.4
Wonder Boys
(2000)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
8.5
Room
(2015)
Political: Center
Diversity: Low
Leans Progressive
7.4
Boy Meets Girl
(2014)
Political: Strong Left
Diversity: Low
LGBTQ: Positive
Progressive
7.7
Just Mercy
(2019)
Political: Strong Left
Diversity: High
Traditional
7.3
The Courier
(2020)
Political: Leans Right
Diversity: Low
Leans Progressive
7.4
The Hateful Eight
(2015)
Political: Leans Left
Diversity: High
LGBTQ: Negative
Leans Progressive
8.0
Inanimate Insanity II: The Movie
(2024)
Political: Center
Diversity: Moderate
LGBTQ: Positive