Viewer Rating
Combines user and critic ratings from four sources
These small girls are ready to make it big! All 12 or younger and under 149 centimeters tall (4'11"), these aspiring pop idols dream of performing for thousands of people. But with zero experience, they've got a lot of work to do! With the help of their rookie producer, who's almost just as short, can they stay focused and make it to the top?
These small girls are ready to make it big! All 12 or younger and under 149 centimeters tall (4'11"), these aspiring pop idols dream of performing for thousands of people. But with zero experience, they've got a lot of work to do! With the help of their rookie producer, who's almost just as short, can they stay focused and make it to the top?
The film focuses on apolitical themes of personal growth, teamwork, and achieving dreams within the entertainment industry. While it acknowledges child labor laws as a plot point, it does not advocate for a specific political stance or ideology regarding them, instead emphasizing working within existing regulations.
The film features an exclusively female cast of young idols, consistent with its genre and cultural context, and does not include explicit DEI-driven casting or broad racial and ethnic diversity. However, its narrative addresses themes of youth empowerment, child agency, and emotional safety within the entertainment industry, which are relevant to discussions of equity and inclusion for minors.
THE IDOLM@STER CINDERELLA GIRLS U149 centers on the professional and personal growth of young idols. The series does not feature any explicit LGBTQ+ characters, themes, relationships, or subtext, maintaining a focus on childhood, ambition, and the entertainment industry without venturing into topics of sexuality or gender identity.
The movie does not contain any action or adventure elements.
The show portrays all main and supporting characters, who are female idols, with on-screen genders consistent with their established canonical genders from the original manga and related media. There are no instances where a character's gender differs from their source material.
The anime adaptation maintains consistency with its Japanese source material and setting. Characters, primarily Japanese idols, are depicted with ethnic and phenotypical authenticity relative to their established origins, indicating no instances of race swapping.
Combines user and critic ratings from four sources