When a team of explorers ventures into the uncharted maze of bones that lies beneath the streets of Paris, they embark on a journey into madness and terror.
When a team of explorers ventures into the uncharted maze of bones that lies beneath the streets of Paris, they embark on a journey into madness and terror.
The film's central themes of personal guilt, redemption, and confronting inner demons are universal human experiences, not inherently political. The solution presented is individualistic and psychological/spiritual, which does not align with or promote any specific political ideology.
The movie features a cast that is primarily white, consistent with traditional casting for a Western horror film set in Europe. The narrative does not present any critical portrayals of traditional identities, focusing instead on the characters' individual psychological struggles within a horror context.
The film utilizes Christian eschatological concepts to depict a literal, terrifying underworld where characters are tormented by their past sins and guilt. This portrayal reinforces a profoundly negative and punitive spiritual reality without offering counterbalancing positive aspects of the faith.
The film 'As Above, So Below' does not feature any identifiable LGBTQ+ characters or themes. The narrative and character arcs are entirely devoid of content related to LGBTQ+ identities, relationships, or experiences, resulting in no portrayal to evaluate.
The movie does not contain any action or adventure elements.
As Above, So Below is an original film with no pre-existing source material, historical figures, or prior installments. All characters were created for this specific film, thus precluding any gender swaps from established canon.
As Above, So Below is an original film with characters created specifically for this production. There are no pre-existing canonical or historical characters from source material or prior installments whose race could have been altered.
Combines user and critic ratings from four sources