In the Pacific, 1944, a Japanese soldier and a British prisoner of war are stranded on a deserted island, hunted by a deadly creature. Two mortal enemies must come together to survive the unknown....
In the Pacific, 1944, a Japanese soldier and a British prisoner of war are stranded on a deserted island, hunted by a deadly creature. Two mortal enemies must come together to survive the unknown....
The film's central message critiques the dehumanizing effects of war and nationalism, advocating for shared humanity and cooperation to transcend nationalistic divides, which aligns with left-leaning themes of universalism and anti-conflict.
The movie "Orang Ikan" explores significant themes of humanization, empathy, and overcoming prejudice and divisions, which are central to its narrative. However, the provided information does not detail specific casting choices that would indicate explicit DEI-driven representation, nor does the narrative explicitly critique traditional identities.
The film 'Orang Ikan' focuses on a World War II survival narrative involving soldiers and a creature. Based on available information, there are no identifiable LGBTQ+ characters or themes present in the movie, leading to a 'N/A' rating for LGBTQ+ portrayal.
Based on available information, there are no confirmed scenes depicting a female character defeating one or more male opponents in close-quarters physical combat. The film's focus on female narratives does not specifically detail such combat scenarios.
The film is described as an original story focusing on two male protagonists, with no indication of pre-existing characters whose gender was altered. The provided information explicitly states no gender-swapped roles are featured.
The film features original characters, a Japanese soldier and a British prisoner of war, set in a historical context. There is no indication that these or any other characters were previously established in source material or history as a different race, thus precluding a race swap.
Combines user and critic ratings from four sources