2.8
Viewer Rating
Combines user and critic ratings from four sources
Stozhar Family (1939)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 2.8
Overview
On the patriotism of Ukrainian collective farmers. Tractor driver Andrei Stozhar decides to go to the Far East instead of his brother Maxim killed on the border.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Negative
Overview
On the patriotism of Ukrainian collective farmers. Tractor driver Andrei Stozhar decides to go to the Far East instead of his brother Maxim killed on the border.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The political bias of 'Stozhar Family' cannot be evaluated as no plot details, thematic elements, or narrative context were provided in the prompt, preventing the application of the internal reasoning checklist.
The film, produced in a historical context, features traditional casting without intentional race or gender swaps. Its narrative maintains a neutral or positive framing of traditional identities, consistent with the period of its creation.
Secondary
The film, a Soviet propaganda piece, portrays Christianity as an outdated, superstitious force aligned with the counter-revolutionaries, contrasting it with the progressive, atheistic ideals of the Bolsheviks.
Based on the provided information, no identifiable LGBTQ+ characters or themes are present in 'Stozhar Family'. Therefore, an evaluation of its portrayal is not applicable.
The movie does not contain any action or adventure elements.
The film "Stozhar Family" (1939) is an original production without pre-existing source material or historical figures that would establish character genders prior to the film's creation. Therefore, no characters could have undergone a gender swap.
There is no evidence or historical record indicating that "Stozhar Family" (1939) is an adaptation of source material with characters whose race was canonically established and subsequently altered, nor does it portray historical figures with changed racial identities. Therefore, no race swap is identified.
Viewer Rating Breakdown
User Ratings
5.6
N/A
Critic Ratings
N/A
N/A
More Like This
Traditional
7.5
The Cold Summer of 1953
(1988)
Political: Leans Right
Diversity: Low
Leans Traditional
6.6
Personality Clash
(1989)
Political: Center
Diversity: Low
Leans Traditional
7.0
Life of Klim Samgin
(1986)
Political: Center
Diversity: Low
Leans Traditional
8.1
Gentlemen of Fortune
(1971)
Political: Center
Diversity: Low
Leans Traditional
7.3
Antarctic Tale
(1980)
Political: Center
Diversity: Low
Leans Traditional
6.7
Descended From Heaven
(1987)
Political: Center
Diversity: Low
Traditional
6.8
A Black Rose Is an Emblem of Sorrow, a Red Rose an Emblem of Love
(1990)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
Broken Circle
(1987)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Lonely Businessman's Big Score
(1984)
Political: Center
Diversity: Low
Leans Traditional
8.5
Come and See
(1985)
Political: Center
Diversity: Low
Leans Traditional
6.6
Don't Leave Your Lovers
(1980)
Political: Center
Diversity: Low
Leans Traditional
6.9
Juno and Avos
(1983)
Political: Center
Diversity: Low
Leans Traditional
6.7
Gunpowder
(1985)
Political: Center
Diversity: Low
Leans Traditional
6.6
34th Express
(1981)
Political: Center
Diversity: Low
Leans Traditional
6.7
Mirror for a Hero
(1987)
Political: Center
Diversity: Low
Traditional
7.2
We Looked in the Death's Face
(1980)
Political: Leans Right
Diversity: Low
Traditional
8.3
Ivan the Terrible, Part I
(1944)
Political: Strong Right
Diversity: Low
Leans Traditional
6.6
Three People on a Highway
(1983)
Political: Center
Diversity: Low
Leans Traditional
7.0
Right to Choose
(1984)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Mystery of Edwin Drood
(1980)
Political: Center
Diversity: Low