Viewer Rating
Combines user and critic ratings from four sources
In July 1942, during the Vel’ d’Hiv’ Roundup of Jewish families in Paris, 13 year old Tauba Birenbaum and her parents, who are Polish Jews, find refuge in a tiny room for the next 765 days. Living conditions are tough an...
In July 1942, during the Vel’ d’Hiv’ Roundup of Jewish families in Paris, 13 year old Tauba Birenbaum and her parents, who are Polish Jews, find refuge in a tiny room for the next 765 days. Living conditions are tough an...
The film's central critique of totalitarian oppression and its emphasis on human rights, dignity, and democratic freedoms in the face of political terror strongly align with progressive values, making it left-leaning.
The movie demonstrates significant DEI by centering its narrative on the experiences of Jewish families facing systemic racism and anti-Semitism during the Holocaust. It provides a clear portrayal of a historically marginalized group and critiques the societal forces responsible for their persecution.
The film "La vie devant moi" does not appear to feature any LGBTQ+ characters or themes based on available information. Its narrative centers on a Jewish family during the 1942 Vel' d'Hiv' roundup, with no reported LGBTQ+ representation.
The movie does not contain any action or adventure elements.
The provided information explicitly states there is no evidence or mention of gender swapping in the film. The main character and her family maintain their original gender identities as part of the narrative, indicating no characters established as one gender are portrayed as another.
The film centers on a Polish Jewish family during WWII, emphasizing historical accuracy and authentic portrayal of their ethnic and cultural identity, with no indications of race swapping.
Combines user and critic ratings from four sources