Viewer Rating
Combines user and critic ratings from four sources
A chef's life is disrupted by a chime that brings with it an increasing sense of dread.
A chef's life is disrupted by a chime that brings with it an increasing sense of dread.
The film explores universal themes of social alienation and psychological fragmentation, offering subtle social critique without explicitly endorsing or advocating for any specific U.S. political ideology or solution, thus remaining neutral.
The film *Chime* features a Japanese cast within its cultural context, without explicit DEI-driven casting or race/gender swaps from a U.S. perspective. Its narrative explores psychological alienation and critiques societal systems and capitalism, rather than directly addressing or critiquing traditional identities or foregrounding explicit DEI themes.
The film instrumentalizes Buddhist concepts like no-self and emptiness to depict spiritual sickness, dehumanization, and a hollowed-out human subject prone to violence, framing these ideas as contributing to a problematic existential state.
The movie 'Chime' does not feature any identifiable LGBTQ+ characters or themes within its narrative or visual elements. The film is a psychological horror piece centered on an auditory phenomenon and its impact on the protagonist, exploring existential dread and internal disturbance without reference to sexual orientation or gender identity.
The movie does not contain any action or adventure elements.
The film "Chime" (2024) is an original work, not an adaptation of existing source material with established character genders. Therefore, its characters do not have prior canonical genders from which to deviate, and no instances of gender swapping are noted.
The film features major characters established as Japanese in the source material, portrayed by Japanese actors. The setting and on-screen population are also consistently depicted as ethnically Japanese, aligning with the film's context. No race swaps are indicated.
Combines user and critic ratings from four sources