To save his grandson, a retired rodeo star enters a high-stakes bull-riding competition. Along the way, he confronts his past, discovers faith, and proves that true courage lies in family....
To save his grandson, a retired rodeo star enters a high-stakes bull-riding competition. Along the way, he confronts his past, discovers faith, and proves that true courage lies in family....
The film's narrative appears to focus on apolitical, character-driven themes and universal human experiences, providing no discernible ideological content to assess for political bias, thus resulting in a neutral rating.
Based on the limited available information, 'The Last Rodeo' is assessed as having a neutral approach to diversity in both its casting and narrative framing. There is no explicit indication of intentional DEI-driven casting or a strong, central critique of traditional identities within its storyline.
The Last Rodeo does not feature LGBTQ+ characters or themes. The narrative is centered on family, faith, and personal redemption, without any depiction or discussion of LGBTQ+ identities or experiences.
The movie does not contain any action or adventure elements.
The film features original characters, including a male protagonist and his estranged daughter, Sally Wainwright. There is no indication that any character was established in prior source material or history with a different gender, thus no gender swap occurs.
The provided information does not indicate that "The Last Rodeo" is an adaptation or features characters with pre-established racial identities from prior canon or history. Mykelti Williamson's casting as Charlie Williams appears to be an original character portrayal within this film, not a change from a previously defined race.
Combines user and critic ratings from four sources