Optimus Prime finds his dead home planet, Cybertron, in which he comes to find he was responsible for its destruction. He finds a way to bring Cybertron back to life, but in order to do so, Optimus needs to find an artif...
Optimus Prime finds his dead home planet, Cybertron, in which he comes to find he was responsible for its destruction. He finds a way to bring Cybertron back to life, but in order to do so, Optimus needs to find an artif...
While the film's core conflict of an alien invasion is apolitical, its championed solution, which relies on individual heroism, military action, and the preservation of ancient traditions against a global threat and misguided government, aligns with right-leaning themes.
The movie features visible diversity in its supporting cast, including Latina and Black characters, but does not engage in explicit race or gender swaps of traditionally white roles. The narrative maintains a neutral to positive framing of traditional identities, without explicit critique or central DEI themes.
Transformers: The Last Knight contains no discernible LGBTQ+ characters or themes. Consequently, there is no portrayal to evaluate, resulting in an N/A rating for its impact on LGBTQ+ representation.
The film features female characters such as Viviane Wembly and Izabella, who are not involved in direct physical combat. Quintessa, a powerful alien, uses magical abilities and energy blasts, which do not qualify as physical combat victories against male opponents.
The film introduces new female characters and new Transformers, but no established legacy characters from prior Transformers canon or historical figures are portrayed with a different gender than their original depiction.
The film features new human characters or returning characters whose race remains consistent with prior installments. The Transformers, being alien robots, do not possess a human race that could be subject to a race swap.
Combines user and critic ratings from four sources