Viewer Rating
Combines user and critic ratings from four sources
As rumors spread about a hidden treasure worth 300 billion yen buried somewhere in the hills near a local inn and hot spring a large number of people check in with two things on their mind… treasure hunting by day and sex hunting at night. The geishas at the inn have their hands full as the inn is fully booked. A shrewd rich tycoon makes an offer to the owner to buy the inn. But she dismisses his offer and names a much higher price. The tycoon is reluctant until news that some actual gold pieces have been unearthed. But is the timing of this “news” a little too convenient?
As rumors spread about a hidden treasure worth 300 billion yen buried somewhere in the hills near a local inn and hot spring a large number of people check in with two things on their mind… treasure hunting by day and sex hunting at night. The geishas at the inn have their hands full as the inn is fully booked. A shrewd rich tycoon makes an offer to the owner to buy the inn. But she dismisses his offer and names a much higher price. The tycoon is reluctant until news that some actual gold pieces have been unearthed. But is the timing of this “news” a little too convenient?
The film's genre as a pink film and its title, 'Female Body Bath,' indicate a primary focus on erotic entertainment and human sexuality, which is presented without a clear, dominant political thesis or ideological agenda. The narrative is centered on personal desire and sensual experience rather than societal critique or political advocacy.
The movie features a cast that, while culturally specific to Japan, does not engage in explicit DEI-driven recasting of roles typically associated with Western identities. Its narrative, consistent with its likely genre and setting, does not appear to offer a critical portrayal of traditional identities or center explicit DEI themes.
The film 'Kairaku Onsenkyô: Nyotaiburo' does not feature any identifiable LGBTQ+ characters or themes in its narrative. Consequently, an assessment of its portrayal of LGBTQ+ elements is not applicable.
The movie does not contain any action or adventure elements.
This 1981 Japanese film appears to be an original production without pre-existing source material, established canonical characters, or historical figures. Therefore, no characters could have had their gender swapped from a prior depiction.
This 1981 Japanese film is an original production. There is no prior source material, historical record, or established canon for its characters that would define their race before their portrayal in this film. Therefore, no character could have been race-swapped.
Combines user and critic ratings from four sources