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Combines user and critic ratings from four sources
The play begins through the story of a trip to the land, and during the road the bus stops due to a malfunction in one of the tires, and a quarrel occurs between the children of the trip, and escalates in the presence of their parents, and each of them begins to charge the other, and forget the main problem, which is the disruption of the bus.
The play begins through the story of a trip to the land, and during the road the bus stops due to a malfunction in one of the tires, and a quarrel occurs between the children of the trip, and escalates in the presence of their parents, and each of them begins to charge the other, and forget the main problem, which is the disruption of the bus.
The film's dominant themes align with conservative values, emphasizing the preservation of tradition, the importance of family, and individual resilience in the face of environmental challenges, which serves as the primary solution championed by the narrative.
The movie features a cast that reflects its regional Saudi Arabian context, without engaging in explicit race or gender swaps of traditionally white roles. Its narrative focuses on family dynamics and cultural traditions, presenting traditional identities in a neutral or positive light without explicit critique or central DEI themes.
The film, a Kuwaiti production, integrates Islam as a natural part of its characters' lives and cultural identity. While it may feature comedic situations, these typically stem from human behavior rather than critiquing the faith itself, thus affirming its dignity and presence within the narrative.
The film 'Kashta' does not include any identifiable LGBTQ+ characters or themes within its narrative. The story centers on a survival comedy, offering no portrayal, positive or negative, of queer identity or experiences.
The movie does not contain any action or adventure elements.
Kashta (2015) is an original film, not an adaptation or a reboot of existing material with established characters. All characters introduced in the film are new creations for this specific production, thus lacking a prior canonical gender to be swapped.
Kashta (2015) is an original Kuwaiti film, not an adaptation of pre-existing material with established character races, nor a biopic of historical figures. Therefore, there are no characters whose race was canonically or historically established and subsequently changed.
Combines user and critic ratings from four sources