In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into animals and sent off into The Woods.
In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into animals and sent off into The Woods.
The film critiques the oppressive nature of enforced conformity from both sides—enforced coupling and enforced solitude—without championing a specific political solution or ideology, thus balancing its critique of ideological extremes.
The film features a predominantly white European cast without explicit race or gender swaps of traditional roles. Its narrative offers a satirical critique of societal norms and human behavior, but does not specifically target or negatively portray traditional identities in a DEI-focused manner.
The film 'The Lobster' does not feature any identifiable LGBTQ+ characters or themes. Its dystopian premise critiques societal pressures for compulsory pairing, but it does not depict or engage with queer identities or relationships within this critique.
The movie does not contain any action or adventure elements.
The film "The Lobster" is an original work with no prior source material, historical figures, or legacy characters. All characters were created specifically for this film, thus precluding any gender swaps.
The Lobster is an original film with no pre-existing source material, historical figures, or prior adaptations. Therefore, no characters had an established race before this film's creation, precluding any race swaps.
Combines user and critic ratings from four sources