Recep Ivedik coaches the children football team in his neighborhood. For the training he uses the only free piece of land as football field on which he used to play football as a child. Recep notices sadly that this piece of land was sold to a businessman. So as not to loose this for the neighborhood and the children valuable piece of land he decides to re-buy it on his own. With his own methods he does not receive the money. The participation in a competition with a big price is the only solution of his problem ...
Recep Ivedik coaches the children football team in his neighborhood. For the training he uses the only free piece of land as football field on which he used to play football as a child. Recep notices sadly that this piece of land was sold to a businessman. So as not to loose this for the neighborhood and the children valuable piece of land he decides to re-buy it on his own. With his own methods he does not receive the money. The participation in a competition with a big price is the only solution of his problem ...
The film's central conflict, involving an individual's effort to save a children's camp through a survival competition, balances themes of communal good with individual initiative and competitive success, resulting in an apolitical narrative.
The movie features traditional casting that reflects its cultural setting, without explicit diversity-driven recasting of roles. Its narrative primarily focuses on comedic situations and character interactions, rather than offering critical portrayals of traditional identities or incorporating explicit DEI themes.
The film 'Recep Ivedik 4' does not include any identifiable LGBTQ+ characters or themes. Consequently, there is no specific portrayal of queer identity or related issues to assess within the narrative, resulting in a 'N/A' rating for its net impact.
The movie does not contain any action or adventure elements.
The film is a sequel in an established series. All returning and new characters maintain their original or newly introduced genders without any instances of a character previously established as one gender being portrayed as another.
Recep Ivedik 4 is a sequel in an existing film series. The main character and other recurring roles are consistently portrayed by the same actors or actors of the same race/ethnicity as in previous installments, with no changes to established racial depictions.
Combines user and critic ratings from four sources