Twenty years after modern civilization has been destroyed, Joel, a hardened survivor, is hired to smuggle Ellie, a 14-year-old girl, out of an oppressive quarantine zone. What starts as a small job soon becomes a brutal,...
Twenty years after modern civilization has been destroyed, Joel, a hardened survivor, is hired to smuggle Ellie, a 14-year-old girl, out of an oppressive quarantine zone. What starts as a small job soon becomes a brutal,...
The series explores the moral complexities of survival and the profound value of individual human connection in a post-apocalyptic world, presenting a nuanced view of societal collapse and personal sacrifice without explicitly endorsing a specific political ideology. Its focus on the deeply personal choices of its characters, rather than a societal solution, positions it as neutral.
The series demonstrates a significant presence of DEI, primarily through its explicit racial recasting of several roles that were traditionally white in the source material. While the narrative naturally integrates diverse characters and relationships, it does not explicitly critique or portray traditional identities negatively, focusing instead on themes of survival and human connection.
The series offers a profoundly positive portrayal of LGBTQ+ characters and themes. The central, celebrated narrative of Bill and Frank's enduring love, alongside Ellie's respectfully integrated lesbian identity, showcases queer lives with dignity, complexity, and affirmation, contributing to a net positive impact.
The show features Ellie Williams, a young female character, who successfully defeats a male antagonist in a prolonged, close-quarters physical and melee weapon fight, demonstrating skill and determination.
Maria, a character depicted as white in the original video game, is portrayed by a Black actress in the television adaptation. This constitutes at least one instance of a race swap.
The show "The Last of Us" faithfully adapts the gender of all established characters from the original video game series. No major or legacy characters who were canonically male or female in the source material are portrayed as a different gender in the adaptation.
Combines user and critic ratings from four sources