A former fighter must find the missing son of an opponent he accidentally killed years ago, taking on a brutally violent crime gang in Marseille.
A former fighter must find the missing son of an opponent he accidentally killed years ago, taking on a brutally violent crime gang in Marseille.
The film's central focus on systemic issues, police corruption, and the failures of the justice system, coupled with its emphasis on law enforcement accountability for real reform, aligns its dominant themes with progressive values.
The movie features a diverse cast, including a strong female police captain, and explores complex social themes through a nuanced portrayal of marginalized communities. The narrative focuses on these themes without explicitly critiquing traditional identities.
The film features Kenza Alaoui, a police captain, who actively participates in the film's action. Her role highlights her physical capability and strength in direct confrontations within a male-dominated environment.
K.O. (2025) focuses on themes of violence, redemption, and crime. There is no explicit depiction or indication of LGBTQ+ characters or themes in the plot or character dynamics, leading to a net impact rating of N/A.
The film's main characters, a male former MMA fighter and a female police captain, are presented as consistent with their gender identities. There is no evidence from the provided sources that any character was canonically established as one gender and then portrayed as another in this film.
The provided information explicitly states there is no indication of race swapping or significant reimagining of characters' ethnicities. The film is described as featuring a diverse cast, but there is no mention of it being an adaptation or reboot where characters with pre-established racial identities would be altered.
Combines user and critic ratings from four sources