
Not Rated
In Shanghai in 1932, Zhang Mubai, the leader of a group of traitors, washes away the Japanese army at a celebration banquet, and befriends Jin Yuanbao, a gangster. In order to assassinate Kurokawa, a think-tank for the invasion of...
In Shanghai in 1932, Zhang Mubai, the leader of a group of traitors, washes away the Japanese army at a celebration banquet, and befriends Jin Yuanbao, a gangster. In order to assassinate Kurokawa, a think-tank for the invasion of...
The film's dominant themes of nationalist resistance against foreign occupation and the valorization of loyalty and patriotism over betrayal align with conservative and nationalist discourses, leading to a right-leaning rating.
The movie is expected to feature a predominantly Chinese cast, providing cultural representation. However, due to a lack of specific narrative details, there is no indication of explicit critique of traditional identities or central DEI themes within the storyline.
The film portrays Christianity through a devout character, Amy, and explores themes of faith and moral struggle. While an extremist antagonist blames Christianity for his suffering, the narrative frames this as part of his problematic worldview and the inter-religious conflict, rather than validating his critique.
The film depicts the antagonist, Ahmed, as a devout Muslim whose faith, though firm, directly motivates his extremist actions and desire to violently alter religious history. This portrayal links Islam to extremism without significant counterbalancing positive nuance within the narrative.
The film 'Assassin' (2025) does not feature any identifiable LGBTQ+ characters or themes within its storyline or character development. Available information indicates a focus on crime and action, with no explicit portrayal or thematic exploration of the LGBTQ+ community.
Information regarding specific combat scenes for the movie 'Assassin' (2025) directed by Jiuqin Zhou is not available in the provided data. Therefore, it is not possible to determine if it contains scenes where female characters defeat male opponents in physical combat.
Available information indicates no characters in the 2025 film *Assassin* have an on-screen gender that differs from their established gender in source material or historical records.
The film's casting aligns with its 1932 Shanghai setting, featuring East Asian actors for Chinese and Japanese characters, consistent with their established ethnicity and historical context. No characters established as one race are portrayed by actors of a different race.