Set during the summer of 1957. Ex-racecar driver, Enzo Ferrari, is in crisis. Bankruptcy stalks the company he and his wife, Laura, built from nothing ten years earlier. Their tempestuous marriage struggles with the mourning for one son and the acknowledgement of another.
Set during the summer of 1957. Ex-racecar driver, Enzo Ferrari, is in crisis. Bankruptcy stalks the company he and his wife, Laura, built from nothing ten years earlier. Their tempestuous marriage struggles with the mourning for one son and the acknowledgement of another.
The film presents a balanced exploration of themes that resonate with both conservative (individual drive, competition) and liberal (moral compromise, personal costs) viewpoints, focusing on the complexities of ambition and corporate survival without explicitly endorsing a particular political ideology.
The film features traditional casting, centering on Italian characters in a 1950s setting with no significant racial or ethnic diversity. Its narrative explores the complexities of masculinity and traditional gender roles through its central white male character, without explicitly critiquing traditional identities or foregrounding contemporary DEI themes.
The film portrays the LGBTQ community through a single gay couple, Hume Cronyn and John Randolph. Their relationship is depicted as positive, loving, and normalized, showing them as madly in love. While this representation is affirming, the film's primary focus remains on Enzo Ferrari's life, with limited broader LGBTQ+ thematic exploration.
The movie does not contain any action or adventure elements.
Ferrari (2023) is a biopic portraying real historical figures. All principal and supporting characters are cast with actors whose gender aligns with the documented historical and biographical records of these individuals. There is no evidence of any character's on-screen gender differing from their established historical gender.
The film casts actors of European descent to portray historical European characters. While there are shifts in specific ethnicity or phenotypical appearance (e.g., Northern European descent playing Mediterranean Italian), these do not constitute a change in broader racial category as defined.
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