A hilarious workplace comedy about a unique family of employees at a super-sized mega store. From the bright-eyed newbies and the seen-it-all veterans to the clueless summer hires and the in-it-for-life managers, together they hilariously tackle the day-to-day grind of rabid bargain hunters, riot-causing sales and nap-worthy training sessions.
A hilarious workplace comedy about a unique family of employees at a super-sized mega store. From the bright-eyed newbies and the seen-it-all veterans to the clueless summer hires and the in-it-for-life managers, together they hilariously tackle the day-to-day grind of rabid bargain hunters, riot-causing sales and nap-worthy training sessions.
The show's central thesis explicitly promotes progressive ideology by consistently critiquing corporate capitalism, advocating for labor rights and unionization, and highlighting systemic inequalities faced by the working class and marginalized communities.
The series features a notably diverse ensemble cast across various racial, ethnic, and identity groups. Its narrative frequently incorporates and explores themes of diversity, equity, and inclusion, often through humor, by addressing issues such as immigration, disability, and class, while also offering critical perspectives on traditional identities and corporate practices.
Superstore features Mateo Liwanag, a prominent gay character whose identity is portrayed with dignity and complexity. His relationships are normalized, and while he faces significant external challenges (immigration), his queer identity is consistently treated with respect and empathy, contributing to a net positive portrayal.
While the show often satirizes the performance of Christian holidays in a corporate setting and the sometimes naive interpretations of faith by characters, it consistently portrays Christian adherents as fundamentally good-hearted. The humor arises from the clash of religious values with secular workplace realities, rather than from a critique of the faith itself.
While not deeply exploring Islamic practices, the show features a Syrian refugee character, Sayid, whose background implies a Muslim identity. The narrative strongly condemns xenophobia and prejudice directed at him by other characters, clearly positioning the audience to sympathize with Sayid and reject bigotry.
The movie does not contain any action or adventure elements.
Superstore is an original sitcom created for television. It does not adapt characters from prior source material, historical records, or previous installments, therefore no characters were established with a different gender before their portrayal in the show.
Superstore is an original television series that premiered in 2015. Its characters were created for the show, meaning there is no prior source material or historical basis to establish their race before their on-screen portrayal. Therefore, no race swaps occurred.
Combines user and critic ratings from four sources