YouTubeDownhill (2020)
Bias Rating
Analyzing...
Center
Viewer Rating
Rating: 4.7
Overview
Barely escaping an avalanche during a family ski vacation in the Alps, a married couple is thrown into disarray as they are forced to reevaluate their lives and how they feel about each other.
Starring Cast
Where to watch
YouTube
Google PlayBias Dimensions
Political: Center
Diversity: Moderate
Overview
Barely escaping an avalanche during a family ski vacation in the Alps, a married couple is thrown into disarray as they are forced to reevaluate their lives and how they feel about each other.
Starring Cast
Where to watch
YouTubeGoogle PlayDetailed Bias Analysis
Analyzing...
Center
Primary
The film primarily explores the interpersonal breakdown of a marriage and individual reactions to stress, focusing on communication and personal responsibility rather than explicitly promoting a specific political ideology or offering a partisan solution.
The movie features a predominantly white main cast, with some visible diversity in supporting roles. Its narrative centers on a personal marital crisis, exploring individual character flaws rather than offering a broad critique of traditional identities or explicitly focusing on DEI themes.
Secondary
The film "Downhill" does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers exclusively on the strained relationship of a heterosexual couple and their family, therefore, no evaluation of LGBTQ+ portrayal can be made.
The movie does not contain any action or adventure elements.
Downhill (2020) is a remake of the Swedish film Force Majeure (2014). All primary and secondary characters in Downhill maintain the same gender as their counterparts in the original film, with no instances of a character canonically established as one gender being portrayed as another.
Downhill (2020) is a remake of the Swedish film Force Majeure (2014). The main characters in Downhill, Pete and Billie, are portrayed by white actors, consistent with their counterparts in the original film. No characters established as one race in the source material are portrayed as a different race.
Viewer Rating Breakdown
4.7
Viewer Rating
Combines user and critic ratings from four sources
User Ratings
4.9
5.3
Critic Ratings
3.6
4.9
More Like This
Leans Traditional
7.4
The Way Way Back
(2013)
Political: Center
Diversity: Low
Leans Traditional
7.0
Deconstructing Harry
(1997)
Political: Center
Diversity: Low
LGBTQ: Neutral
Center
7.2
Stranger Than Fiction
(2006)
Political: Center
Diversity: Moderate
Leans Progressive
7.8
A Bug's Life
(1998)
Political: Leans Left
Diversity: Moderate
Leans Progressive
6.9
I Care a Lot
(2021)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Progressive
7.4
Hustlers
(2019)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Center
7.2
Arthur
(1981)
Political: Center
Diversity: Low
LGBTQ: Positive
Leans Traditional
7.8
Metropolitan
(1990)
Political: Center
Diversity: Low
Progressive
8.0
Love, Simon
(2018)
Political: Leans Left
Diversity: High
LGBTQ: Positive
Center
8.3
The Big Sick
(2017)
Political: Center
Diversity: Moderate
Leans Traditional
7.5
Punch-Drunk Love
(2002)
Political: Center
Diversity: Low
Center
6.5
The Life Aquatic with Steve Zissou
(2004)
Political: Center
Diversity: Moderate
Leans Traditional
7.2
Thunderbolt and Lightfoot
(1974)
Political: Center
Diversity: Low
Center
8.2
Adam's Rib
(1949)
Political: Leans Left
Diversity: Low
Center
7.1
Bad Santa
(2003)
Political: Center
Diversity: Moderate
LGBTQ: Neutral
Progressive
7.9
Stormy Weather
(1943)
Political: Leans Left
Diversity: High
Leans Traditional
7.0
The Darjeeling Limited
(2007)
Political: Center
Diversity: Low
Center
6.7
Impromptu
(1991)
Political: Leans Left
Diversity: Low
Center
7.3
The French Dispatch
(2021)
Political: Center
Diversity: Moderate
LGBTQ: Neutral
Leans Traditional
7.9
When Harry Met Sally...
(1989)
Political: Center
Diversity: Low