The Alienist (2018)

Overview
New York, 1896. Police commissioner Theodore Roosevelt brings together criminal psychologist Dr. Laszlo Kreizler, newspaper illustrator John Moore and secretary Sara Howard to investigate several murders of male prostitutes.
Starring Cast
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Bias Dimensions
Overview
New York, 1896. Police commissioner Theodore Roosevelt brings together criminal psychologist Dr. Laszlo Kreizler, newspaper illustrator John Moore and secretary Sara Howard to investigate several murders of male prostitutes.
Starring Cast
Where to watch
Detailed Bias Analysis
Primary
The series leans left by centering its narrative on the critique of systemic social inequality, child exploitation, and corruption, while championing scientific and empathetic approaches to justice and challenging traditional societal norms.
The series features visible diversity in its cast, including a prominent Black character and a pioneering female character who challenges gender norms of the late 19th century. The narrative subtly critiques traditional societal structures and explores themes of gender inequality and class disparity within its historical setting.
Secondary
The Alienist features its primary antagonist, Willem Van Bergen, as a wealthy, closeted homosexual serial killer targeting young male prostitutes. This portrayal directly links queer identity to villainy and predatory behavior, presenting a highly problematic and negative depiction without any counterbalancing positive LGBTQ+ representation.
Mary Palmer, a character described as an Irish immigrant in the source novel, is portrayed by Q'orianka Kilcher, an actress of Peruvian-American and indigenous heritage. This constitutes a race swap.
The series portrays Christian institutions and certain adherents as hypocritical, cruel, or complicit in societal neglect. The serial killer's motivations are rooted in a twisted, fundamentalist interpretation of Christianity, which the narrative clearly depicts as pathological and destructive.
The film depicts Jewish characters and communities as victims of societal prejudice and anti-Semitism. The narrative frames this bigotry as wrong, positioning the audience to sympathize with the marginalized Jewish population.
The movie does not contain any action or adventure elements.
The show adapts Caleb Carr's novel of the same name. All major characters, including Dr. Laszlo Kreizler, John Moore, and Sara Howard, retain their established genders from the source material.
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