After being enlisted to recover a dangerous computer program, hacker Lisbeth Salander and journalist Mikael Blomkvist find themselves caught in a web of spies, cybercriminals and corrupt government officials.
After being enlisted to recover a dangerous computer program, hacker Lisbeth Salander and journalist Mikael Blomkvist find themselves caught in a web of spies, cybercriminals and corrupt government officials.
The film's central conflict revolves around an individual anti-heroine's fight against a corrupt criminal organization and her personal past, championing individual action over systemic solutions. While featuring a strong female lead and anti-establishment themes, it does not explicitly promote a specific political ideology, leading to a neutral rating.
The movie features a strong female protagonist and includes visible diversity in its supporting cast. However, it does not explicitly recast traditionally white central roles with minority actors, nor does its narrative explicitly critique traditional identities as a central theme.
The film acknowledges Lisbeth Salander's bisexuality through a brief, implied encounter, consistent with her established character. However, this aspect of her identity is not central to the plot or themes, nor does it face specific prejudice or receive significant narrative focus. The portrayal is incidental, neither uplifting nor denigrating.
The film features Lisbeth Salander, who repeatedly engages in and wins close-quarters physical fights against male opponents. She demonstrates superior combat skills, disarming and incapacitating them through martial arts and hand-to-hand techniques.
The film adapts characters from the Millennium series, including Lisbeth Salander and Mikael Blomkvist. All major characters retain their established genders from the source novels and previous adaptations, with no instances of a character canonically established as one gender being portrayed as another.
All major and legacy characters in "The Girl in the Spider's Web" maintain the same race as established in the source novels and previous adaptations. No character canonically established as one race is portrayed as a different race.
Combines user and critic ratings from four sources