Viewer Rating
Combines user and critic ratings from four sources
Ezzat and Hassan are friends and co-workers. Hassan admires Soad but he can't tell her about his feelings because of his shyness. He asks his friend Ezzat to tell her instead, but things don't go as expected. Ezzat also ...
Ezzat and Hassan are friends and co-workers. Hassan admires Soad but he can't tell her about his feelings because of his shyness. He asks his friend Ezzat to tell her instead, but things don't go as expected. Ezzat also ...
The film's title suggests a focus on the ambiguity of truth and the subjective nature of interpretation, positioning it as neutral by exploring universal themes of perception and societal dynamics rather than promoting a specific political ideology.
This Egyptian film, typical of its regional cinema, features casting that aligns with mainstream representation for its cultural context. The narrative does not appear to critically portray traditional identities or center explicit DEI themes. Consequently, the film does not demonstrate significant DEI characteristics based on the provided framework.
Based on available information, the film 'Tgebha keda Tgelha Keda Heya Keda' does not contain discernible LGBTQ+ characters or themes. Consequently, there is no specific portrayal to evaluate, resulting in a 'Not Applicable' assessment for its impact on LGBTQ+ representation.
The movie does not contain any action or adventure elements.
The film is presented as a 1983 movie without reference to prior source material or characters. Consequently, there is no established baseline from which a character's gender could have been swapped.
This 1983 Egyptian film is an original production and not an adaptation of a work with pre-established characters of a different race, nor is it a biopic of a historical figure whose race would be subject to a swap. Therefore, no race swaps are present.
Combines user and critic ratings from four sources