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Faraj al-Okta collides with the Israeli enemy to get rid of the resistance men in Suez. Hassan Ezz accused the only survivor of the group's treason and stealing the money and sentenced him to prison. The daughter of the ...
Faraj al-Okta collides with the Israeli enemy to get rid of the resistance men in Suez. Hassan Ezz accused the only survivor of the group's treason and stealing the money and sentenced him to prison. The daughter of the ...
The film's central thesis critiques deep-seated corruption within state institutions and the justice system, forcing an innocent individual to seek extra-legal justice against powerful elites, which aligns with left-leaning themes of challenging systemic failures and power imbalances.
This Egyptian film features a cast that naturally reflects its local context, without engaging in explicit race or gender swaps of traditionally Western-defined roles. Its narrative, while critically examining power structures and societal injustices, does not explicitly center modern DEI themes or offer an overt negative portrayal of traditional identities, instead focusing on broader critiques of corruption and the system.
Based on the provided input, no identifiable LGBTQ+ characters or themes were present in the film 'Katibat El Edam'. Consequently, the film's portrayal of LGBTQ+ elements is rated as N/A due to a lack of depiction.
The movie does not contain any action or adventure elements.
This is an original film from 1989, not an adaptation or reboot of existing material. All characters are new creations for this specific movie, thus lacking any prior canonical or historical gender to be swapped from.
This 1989 Egyptian film features original characters portrayed by Egyptian actors. There is no evidence of characters being adapted from source material or historical records where their race was established differently, thus no race swaps occurred.
Combines user and critic ratings from four sources