Progressive
8.6
I'm Still Here
(2024)
Political: Strong Left
Diversity: High
Iracema (1931)
Bias Rating
Analyzing...
Leans Progressive
Viewer Rating
Not Rated
Overview
In 16th century Brazil, portuguese colonizer Marfim falls in love with indigenous woman Iracema.
Starring Cast
Bias Dimensions
Political: Strong Left
Diversity: Moderate
Overview
In 16th century Brazil, portuguese colonizer Marfim falls in love with indigenous woman Iracema.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's central thesis explicitly promotes progressive ideology by critiquing the systemic exploitation of the Amazon and its indigenous people due to unchecked capitalist expansion and government policies, highlighting environmental devastation and social injustice.
The movie features a cast that naturally reflects the diverse ethnic origins of its source material, including indigenous and European characters, without explicit race or gender swaps of traditionally white roles. Its narrative subtly addresses colonial themes and the impact on traditional identities through a tragic love story, rather than presenting an explicit DEI critique.
Secondary
Based on available information, 'Iracema' by Jorge S. Konchin does not feature identifiable LGBTQ+ characters or themes. Consequently, no specific portrayal could be evaluated within the framework, resulting in an N/A rating.
The movie does not contain any action or adventure elements.
The 1931 film "Iracema" is an adaptation of José de Alencar's novel. There is no evidence or historical record indicating that any canonically established character from the source material had their gender changed in this adaptation.
The film adapts the novel 'Iracema,' where the titular character is explicitly an indigenous Brazilian woman. There is no evidence that the 1931 film portrayed Iracema or any other canonically established character as a different race on screen than their source material depiction.
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