Nearly 5,000 years after he was bestowed with the almighty powers of the Egyptian gods-and imprisoned just as quickly-Black Adam (Johnson) is freed from his earthly tomb, ready to unleash his unique form of justice on th...
Nearly 5,000 years after he was bestowed with the almighty powers of the Egyptian gods-and imprisoned just as quickly-Black Adam (Johnson) is freed from his earthly tomb, ready to unleash his unique form of justice on th...
The film leans left due to its central narrative focusing on an oppressed nation's struggle for self-determination against foreign exploiters and the critique of external intervention, aligning strongly with anti-colonial themes.
The movie demonstrates significant diversity through the explicit recasting of multiple traditionally white comic book roles with minority actors. While its narrative includes anti-colonial themes that subtly critique external intervention, it does not explicitly portray traditional identities negatively.
Hawkman, a character traditionally depicted as white in DC Comics, is portrayed by a Black actor. Cyclone, also traditionally depicted as white, is portrayed by a biracial actress. These portrayals constitute race swaps from their established comic book origins.
Black Adam does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on the titular character's origin, his conflict with the Justice Society, and the threat of Sabbac, without incorporating any queer representation or storylines.
The film features female characters like Adrianna Tomaz and Cyclone. While Cyclone participates in combat, her victories against male opponents are achieved through her wind-manipulation superpowers, not through close-quarters physical skill, strength, or martial arts. No female character is depicted defeating male opponents in direct physical combat.
The film features established DC Comics characters such as Black Adam, Hawkman, Doctor Fate, Cyclone, and Atom Smasher. All major characters' on-screen genders align with their canonical portrayals in the source material, with no instances of a character established as one gender being depicted as a different gender.
Combines user and critic ratings from four sources