Leans Left
6.8
Lord of War
(2005)
Political: Leans Left
Diversity: Moderate
The Fatal Eleven (2004)
Bias Rating
Analyzing...
Leans Left
Viewer Rating
Not rated
Overview
Football and Nazism is at the core of this powerful film that tells the true story of the ‘The Fatal Eleven’. In August 1942, a football game between forced Ukrainian labourers & the German Air Force took place with tragic consequences.
Starring Cast
Bias Dimensions
Political: Strong Left
Diversity: Moderate
Overview
Football and Nazism is at the core of this powerful film that tells the true story of the ‘The Fatal Eleven’. In August 1942, a football game between forced Ukrainian labourers & the German Air Force took place with tragic consequences.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Left
Primary
The film's central thesis explicitly promotes a progressive ideology by critically examining the German government's systemic failures and subsequent cover-up of the 1972 Munich Olympics massacre, advocating for truth, transparency, and justice for the victims.
Based on the lack of specific information regarding the movie's casting and narrative content, a neutral assessment is applied. This indicates an assumed presence of visible diversity without explicit DEI-driven casting, and a narrative that does not explicitly critique traditional identities or make DEI themes central.
Secondary
Based on the information provided, the film 'The Fatal Eleven' does not feature any identifiable LGBTQ+ characters or themes. Consequently, there is no portrayal to evaluate, resulting in a net impact rating of N/A.
The movie does not contain any action or adventure elements.
This documentary focuses on the historically male German national football team from the 1974 World Cup. There is no indication that any of the real historical figures depicted are portrayed with a different gender than their documented historical gender.
The Fatal Eleven is a documentary film about the 1972 Munich Olympics massacre, focusing on real historical figures. Documentaries typically rely on archival footage and interviews, or cast actors accurately for any reenactments, making race swaps highly improbable.
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