Once the booming home of pharmaceutical giant Umbrella Corporation, Raccoon City is now a dying Midwestern town. The company's exodus left the city a wasteland with great evil brewing below the surface. When that evil is...
Once the booming home of pharmaceutical giant Umbrella Corporation, Raccoon City is now a dying Midwestern town. The company's exodus left the city a wasteland with great evil brewing below the surface. When that evil is...
The film leans left due to its central conflict revolving around the Umbrella Corporation's unchecked greed and unethical experiments, which directly cause the catastrophic outbreak and environmental devastation, aligning with critiques of corporate power.
The movie demonstrates significant DEI primarily through its casting choices, explicitly recasting traditionally white roles with minority actors. However, its narrative remains focused on the horror and action elements, without explicitly critiquing or negatively framing traditional identities.
Jill Valentine, a character canonically established as white in the Resident Evil video game series, is portrayed by a Black actress in the film, constituting a race swap.
Resident Evil: Welcome to Raccoon City contains no explicit or identifiable LGBTQ+ characters, relationships, or themes. Therefore, there is no portrayal to evaluate, resulting in a net impact of N/A.
The film features female protagonists Claire Redfield and Jill Valentine, who primarily engage in combat against zombies and mutated creatures using firearms. There are no significant scenes depicting either character defeating one or more male opponents in close-quarters physical combat through skill, strength, or martial arts.
All major characters from the Resident Evil video game series, including Chris and Claire Redfield, Leon S. Kennedy, Jill Valentine, and Albert Wesker, maintain their established canonical genders in this film adaptation.
Combines user and critic ratings from four sources