A joyous family reunion becomes a hilarious nightmare as Madea and the crew travel to backwoods Georgia, where they find themselves unexpectedly planning a funeral that might unveil unpleasant family secrets.
A joyous family reunion becomes a hilarious nightmare as Madea and the crew travel to backwoods Georgia, where they find themselves unexpectedly planning a funeral that might unveil unpleasant family secrets.
The film leans right by consistently championing traditional family structures, personal accountability, and the upholding of moral principles as the solution to familial problems, rather than critiquing broader societal systems.
The movie features a predominantly Black cast, reflecting its focus on African American family and culture. While it showcases diversity through its casting, it does not involve explicit race or gender swaps of traditionally white roles. The narrative centers on family dynamics and humor without explicitly critiquing traditional identities or pushing a strong, explicit DEI agenda.
The film features a gay couple, Anthony and Gia, whose loving relationship is central to a subplot. While some initial comedic friction arises from family reactions, the narrative ultimately affirms their worth and depicts their relationship with dignity and acceptance, leading to a net positive portrayal.
The film portrays Christian faith, community, and moral principles as foundational and ultimately redemptive. While it satirizes human flaws and hypocrisy within the church, the narrative consistently affirms the positive aspects of the faith and uses its themes for moral lessons.
The movie does not contain any action or adventure elements.
The character Madea has consistently been portrayed as female across all installments. While a male actor plays her, this is a performance involving gender disguise within the story, not a change to the character's established gender. No other characters undergo a gender swap.
The film is an original production within the Madea franchise, which consistently features African American characters. There are no characters who were established as a different race in prior source material or history.
Combines user and critic ratings from four sources