Leans Traditional
6.9
The Story of the Voyages
(1983)
Political: Center
Diversity: Low
Matyólakodalom (1921)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
Kati (Bella Muzsnay), the daughter of a landowner (László Bakó), is not very sad while her fiancé, Matyi (Sándor Szőke), is a prisoner of war in Russia: she meets the handsome goulash (Sándor Garamszeghy). He is not too happy when Matyi returns home from Siberia. The two men competing for her hand get into a fight and the goulash is sent to prison. The proposal goes through, but the goulash escapes from his cell. After a long chase, he is captured, but on the day of the wedding his sentence expires and he is released. The newlyweds spend their wedding night in the attic, and the jealous goulash burns down the house in revenge.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Positive
Overview
Kati (Bella Muzsnay), the daughter of a landowner (László Bakó), is not very sad while her fiancé, Matyi (Sándor Szőke), is a prisoner of war in Russia: she meets the handsome goulash (Sándor Garamszeghy). He is not too happy when Matyi returns home from Siberia. The two men competing for her hand get into a fight and the goulash is sent to prison. The proposal goes through, but the goulash escapes from his cell. After a long chase, he is captured, but on the day of the wedding his sentence expires and he is released. The newlyweds spend their wedding night in the attic, and the jealous goulash burns down the house in revenge.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central subject, a traditional Matyó wedding, primarily suggests a cultural exploration rather than an explicit political agenda. Without specific plot details indicating a clear ideological stance, the film is assessed as neutral.
The movie, titled 'Matyólakodalom' and centered on Hungarian folk traditions, employs traditional casting consistent with its cultural subject matter. Its narrative presents traditional identities in a neutral or positive light, without critical portrayals or explicit engagement with DEI themes.
Secondary
The film, centered on a traditional Matyó wedding, likely portrays Christian (Catholic) rituals and beliefs as an integral and respected part of the Matyó people's cultural heritage. The depiction would affirm these traditions as central to community life.
Based on the provided input, 'Matyólakodalom' does not contain identifiable LGBTQ+ characters or themes. Consequently, an evaluation of its portrayal of queer identity cannot be performed due to a lack of information.
The film "Matyólakodalom" is a 1939 Hungarian drama/comedy. Based on its genre and historical context, it does not feature any scenes depicting female characters engaging in or winning direct physical combat against male opponents using hand-to-hand combat, martial arts, or melee weapons.
There is no available information regarding source material or prior canonical character genders for the 1921 film "Matyólakodalom." Without such a baseline, it is not possible to identify any instances of a gender swap according to the provided definition.
There is no evidence that "Matyólakodalom" (1921) is an adaptation of source material with characters whose race was canonically established and subsequently changed in the film. It is an original Hungarian film from the silent era.
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