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Doraemon, Nobita, Shizuka, Gian, and Suneo set out on an adventure in the Caribbean Sea. Nobita is the captain of a ship and fights his enemies on board. Shizuka gets kidnapped, and a storm impedes their journey. Mini-Do...
Doraemon, Nobita, Shizuka, Gian, and Suneo set out on an adventure in the Caribbean Sea. Nobita is the captain of a ship and fights his enemies on board. Shizuka gets kidnapped, and a storm impedes their journey. Mini-Do...
The film's core conflict and resolution strongly emphasize environmental preservation and the critique of human exploitation of natural ecosystems, aligning with progressive values despite universal themes of family and friendship.
This Japanese animated film maintains casting consistent with its established franchise, without engaging in explicit DEI-driven recasting or significant departures from its character origins. The narrative focuses on a family-friendly adventure, portraying its main characters in a neutral to positive light without critiquing traditional identities or making DEI themes central to the story.
The film 'Doraemon Nobita no Takarajima' is a typical Doraemon adventure movie centered on friendship, family, and exploration. It does not feature any identifiable LGBTQ+ characters, themes, or storylines, resulting in an N/A rating for its portrayal.
The film features female characters such as Shizuka Minamoto, Flock, and Sarah. However, none of these characters engage in or win close-quarters physical combat against one or more male opponents using skill, strength, or martial arts. Shizuka is primarily a character in need of rescue, and Flock and Sarah are not depicted as combatants.
The film features the established Doraemon main cast, who retain their canonical genders. New characters introduced in this specific movie are original creations and do not represent gender-swapped versions of pre-existing characters from the franchise.
The film is an animated Japanese production based on the long-running Doraemon manga. All established characters are depicted consistently with their original Japanese (East Asian) racial portrayals, with no instances of a character canonically established as one race being portrayed as another.
Combines user and critic ratings from four sources