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In a mixed high school, Sayed Abu Dahab leads a group of students who spend their nights at the disco,spreading among them addiction and customary marriage, and their school principal tries to fix things.
In a mixed high school, Sayed Abu Dahab leads a group of students who spend their nights at the disco,spreading among them addiction and customary marriage, and their school principal tries to fix things.
The film's central thesis explicitly promotes progressive ideology by critiquing patriarchal societal norms and advocating for female sexual liberation and individual autonomy, making it clearly left-leaning.
The film features a cast that reflects its Egyptian cultural origin, providing visible diversity without explicitly recasting traditionally white roles. Its narrative, while potentially engaging with social critiques relevant to its local context, does not explicitly frame traditional Western identities negatively or center Western DEI themes.
The film portrays conservative societal norms, often justified by certain interpretations of Islam, as oppressive forces that restrict the protagonist's freedom and self-expression. The narrative aligns with the protagonist's struggle against these constraints, implicitly critiquing the rigid application of religious values that stifle individual liberty.
Enas El-Degheidy's 'Disco Disco' focuses on the lives and relationships of young people navigating societal norms in Egypt. The film's narrative does not include any identifiable LGBTQ+ characters or themes, nor does it engage with queer identity or experiences in any capacity. Consequently, the film has no discernible impact on the portrayal of LGBTQ+ individuals.
The movie does not contain any action or adventure elements.
Disco Disco (1994) is an original film, not an adaptation or reboot of existing material. Therefore, there are no pre-established characters from source material or history whose gender could have been altered for this production.
Disco Disco (1994) is an original Egyptian film and not an adaptation of existing source material, a biopic, or a reboot with legacy characters. Therefore, there are no pre-established characters whose race could have been altered.
Combines user and critic ratings from four sources