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A disaster film set during the 2018 Kerala Floods where people from all walks of life faced catastrophic consequences and put in collective efforts to survive the calamity.
A disaster film set during the 2018 Kerala Floods where people from all walks of life faced catastrophic consequences and put in collective efforts to survive the calamity.
The film focuses on the humanitarian response to a natural disaster, emphasizing human resilience, collective action, and social unity, rather than engaging in partisan political critique or advocacy. Its portrayal of effective governance and community solidarity aligns with broadly centrist values.
The movie '2018' features a visibly diverse cast representing various social, economic, and regional backgrounds, emphasizing unity and collective action. Its narrative adopts a humanistic and empathetic perspective, highlighting heroism across all social strata without explicitly critiquing traditional identities or making overt social justice discourse central to its themes.
The film portrays the Christian Church and its adherents, specifically a priest and fishermen, as pivotal in initiating and leading rescue operations during the Kerala floods, highlighting their humanitarian efforts and community mobilization.
The film "2018: Everyone is a Hero" is a disaster movie centered on the 2018 Kerala floods and human heroism. Based on available information, it does not feature or discuss LGBTQ+ characters or themes, focusing instead on the broader community's response to the disaster. Therefore, the portrayal of LGBTQ+ elements is N/A.
The film '2018' is a disaster drama focused on the Kerala floods, depicting survival and rescue efforts. It does not feature any scenes where female characters engage in or win direct physical combat against male opponents. The narrative centers on human resilience against natural calamity.
The film "2018" (2023) is based on real-life events and does not adapt a pre-existing fictional narrative or source material with established canonical characters. Therefore, there are no characters whose on-screen gender can be compared against a prior established gender.
The film is a fictionalized dramatization of a historical event, not an adaptation of prior source material with established character races. All characters are original or archetypes without pre-existing racial descriptions, and casting is noted for its regional authenticity.
Combines user and critic ratings from four sources