Kid is an anonymous young man who ekes out a meager living in an underground fight club where, night after night, wearing a gorilla mask, he is beaten bloody by more popular fighters for cash. After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him.
Kid is an anonymous young man who ekes out a meager living in an underground fight club where, night after night, wearing a gorilla mask, he is beaten bloody by more popular fighters for cash. After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him.
The film explicitly critiques systemic corruption, class exploitation, and the abuse of power by a right-wing, nationalist establishment, championing the violent resistance of the marginalized and oppressed.
The film features culturally authentic casting for its Indian setting, which does not involve race or gender swaps of traditionally white roles. However, its narrative strongly critiques corrupt traditional power structures, explicitly portraying powerful male figures as antagonists, making DEI themes central to its story.
Monkey Man offers a significantly positive and affirming portrayal of the Hijra community, India's third gender transfeminine group. These characters are depicted with agency and dignity, forming a crucial alliance with the protagonist against oppression. Their central and empowering role in the narrative marks a rare and commendable representation in mainstream cinema.
The film features Alpha, a leader of the Hijra community, who participates in the final battle. Alpha is shown engaging in and winning physical fights against multiple male opponents using a staff and hand-to-hand combat techniques.
The film portrays Hinduism positively by using its mythology, specifically the monkey-god Hanuman, to inspire the protagonist's quest for justice. While it critiques the weaponization of faith and religious nationalism, this targets the misuse by corrupt figures rather than the inherent nature of the religion itself.
Monkey Man is an original film and does not adapt characters from pre-existing source material or historical figures. While it prominently features transgender and gender-non-conforming characters, these are new creations for the film, not established characters whose gender has been altered from a prior canon.
Monkey Man is an original story deeply rooted in Indian culture, featuring new characters. There is no prior source material with established character races to compare against, and the film's casting reflects the cultural realities of India without any indication of race swapping.
Combines user and critic ratings from four sources