Viewer Rating
Combines user and critic ratings from four sources
When reformed ex-smuggler Pamfir returns home to his village on the Ukrainian border after working abroad for several years, he’s determined to earn an honest living and set a good example for his beloved teenage son Nazar. But in a town where corruption runs deep and crime and religion are inextricably linked, his plan is quickly thwarted when Nazar sets fire to the local church in a misguided effort to keep him at home. To pay for the damage, Pamfir must take on one last job for a crime syndicate operating a risky smuggling venture in a place where all the rules have changed.
When reformed ex-smuggler Pamfir returns home to his village on the Ukrainian border after working abroad for several years, he’s determined to earn an honest living and set a good example for his beloved teenage son Nazar. But in a town where corruption runs deep and crime and religion are inextricably linked, his plan is quickly thwarted when Nazar sets fire to the local church in a misguided effort to keep him at home. To pay for the damage, Pamfir must take on one last job for a crime syndicate operating a risky smuggling venture in a place where all the rules have changed.
The film critiques universal corruption and explores themes of family loyalty and individual struggle for survival. It does not explicitly promote a specific left or right ideological solution, focusing instead on the human cost and moral compromises within a lawless system.
The movie features a cast that reflects the ethnically homogeneous setting of Western Ukraine, without intentional race or gender swaps of traditional roles. The narrative explores themes of family and masculinity within this cultural context, maintaining a neutral to positive framing of traditional identities without explicit DEI critiques.
The film portrays Orthodox Christianity as a deeply ingrained cultural and spiritual force within the community, showing its rituals and symbols with respect. While depicting characters who are Christian engaging in morally ambiguous actions, the narrative explores the complexities of faith in a corrupt world rather than condemning the religion itself.
The film 'Pamfir' focuses on a man's return to his family and involvement in local crime during a traditional carnival. Its narrative does not include any discernible LGBTQ+ characters or explore related themes, resulting in no specific portrayal to evaluate.
The movie does not contain any action or adventure elements.
Pamfir is an original film with no prior source material, historical figures, or legacy characters. All characters are new creations for this specific movie, meaning there is no pre-existing gender to be swapped from.
Pamfir is an original Ukrainian drama film with no prior source material, historical figures, or legacy characters. Therefore, no characters were established as a specific race before this film's creation, making a race swap impossible under the given definition.
Combines user and critic ratings from four sources