Progressive
7.0
No Vietnamese Ever Called Me Nigger
(1968)
Political: Strong Left
Diversity: High
Hawaiian Islands (1907)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
Cooperating with, and probably subsidized by, the islands' local railroad company and their promotional committee, Bonine photographed a series of short films under the rubric Scenes and Incidents, Hawaiian Islands. Subjects included Hawaiians Arriving to Attend a "Luau" or Native Feast; Shearing Sheep, Humunla Ranch, Hawaii; and Panoramic View of Waikiki Beach, Honolulu. His Hawaiian travelogue showed the picturesque quality of this overseas territory, acquired at the beginning of the Spanish-American War. The photographer himself became an exhibitor, presenting his own program at several venues, including the Orange Camera Club in May 1907.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Islam: Positive
Overview
Cooperating with, and probably subsidized by, the islands' local railroad company and their promotional committee, Bonine photographed a series of short films under the rubric Scenes and Incidents, Hawaiian Islands. Subjects included Hawaiians Arriving to Attend a "Luau" or Native Feast; Shearing Sheep, Humunla Ranch, Hawaii; and Panoramic View of Waikiki Beach, Honolulu. His Hawaiian travelogue showed the picturesque quality of this overseas territory, acquired at the beginning of the Spanish-American War. The photographer himself became an exhibitor, presenting his own program at several venues, including the Orange Camera Club in May 1907.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film is a historical record documenting a ceremonial visit, and as such, it lacks any discernible narrative or explicit messaging that would align it with a specific political ideology, thus remaining apolitical.
This historical film documents a Khedive's visit, featuring individuals as they appeared at the actual event. The portrayal of characters reflects the historical context without intentional diversity-driven casting or explicit reinterpretation of roles. The narrative maintains a neutral or positive framing of traditional identities, focusing on the event itself rather than offering critique.
Secondary
The film documents a visit by a prominent Muslim leader, Khedive Abbas Helmi, to a significant Islamic institution, the Sidi AboulAbbas Mosque's Scientific Institute. This observational portrayal inherently lends dignity and respect to Islam, its institutions, and its leadership.
This historical documentary, focusing on a Khedive's visit, does not feature any identifiable LGBTQ+ characters or themes. The narrative is entirely centered on the public event and historical figures, with no elements related to queer identity.
The movie does not contain any action or adventure elements.
This film is a historical record of a real event featuring Khedive Abbas Helmi II, a documented male historical figure. There is no indication or historical basis to suggest he or any other historically established character was portrayed as a different gender.
This 1907 film is a documentary-style recording of a real historical event featuring Khedive Abbas Helmi. It depicts the actual historical figures present, not actors portraying them, which means no character was recast with an actor of a different race.
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