Traditional
7.2
The Bank Job
(2008)
Political: Center
Diversity: Low
LGBTQ: Negative
The Miner's Daughter (1906)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
The film starts with a lovely long shot of the Artist at work in a dappled glade, where he first meets the Miner's Daughter. The Artist asks the Miner for his daughter's hand in marriage, but is denied, so the young couple elope. Years pass, and the Artist becomes known for his talent, providing a good life for his wife and young child. Meanwhile, the old Miner has been crippled in an underground explosion - the flash of which is marked onscreen by two frames tinted bright red, a subtle yet effective trick conveying the shock of the blast. While in the hospital, though he has been gravely injured, the Miner still refuses to forgive the daughter he disowned.
Starring Cast
Bias Dimensions
Political: Leans Left
Diversity: Low
Overview
The film starts with a lovely long shot of the Artist at work in a dappled glade, where he first meets the Miner's Daughter. The Artist asks the Miner for his daughter's hand in marriage, but is denied, so the young couple elope. Years pass, and the Artist becomes known for his talent, providing a good life for his wife and young child. Meanwhile, the old Miner has been crippled in an underground explosion - the flash of which is marked onscreen by two frames tinted bright red, a subtle yet effective trick conveying the shock of the blast. While in the hospital, though he has been gravely injured, the Miner still refuses to forgive the daughter he disowned.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central subject matter, depicting the struggles and hardships of a mining family, inherently aligns with progressive concerns for the working class and critiques of industrial conditions, leading to a Left-Leaning rating. It aims to evoke empathy for the marginalized, a core progressive value.
The film features traditional casting practices, consistent with its historical period, showing no intentional diversity or race/gender swaps. Its narrative frames traditional identities neutrally or positively, without engaging in modern critiques.
Secondary
The film "The Miner's Daughter" (1907) by James Williamson does not feature any identifiable LGBTQ+ characters or themes. Its narrative, typical of early silent cinema, focuses on other social or dramatic elements, rendering the portrayal of queer identity as not applicable.
The movie does not contain any action or adventure elements.
As an original film from 1906, "The Miner's Daughter" does not draw from pre-existing source material, historical figures, or prior installments with established character genders. Therefore, no characters could have been gender-swapped.
This 1906 silent film predates widespread established character canons or historical figures whose race would be documented and subsequently altered. There is no evidence of source material or prior depictions that would allow for a race swap.
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