10.0
Viewer Rating
Combines user and critic ratings from four sources
The Phantom of the Opera (1929)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 10.0
Overview
Reissued version of 'The Phantom of the Opera' with a synchronized score, sound effects, new dialogue sequences, and footage reshot by directors Ernst Laemmle and Frank McCormick.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Positive
Overview
Reissued version of 'The Phantom of the Opera' with a synchronized score, sound effects, new dialogue sequences, and footage reshot by directors Ernst Laemmle and Frank McCormick.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central themes of obsessive love, horror, and the conflict between beauty and deformity are largely apolitical, focusing on individual madness and the restoration of order rather than promoting a specific political ideology or societal critique.
This 1925 silent film features a cast predominantly composed of white actors, reflecting the common casting practices of its era without intentional diversity or race/gender swaps. The narrative focuses on its horror and romance themes, without critically examining traditional identities or incorporating explicit DEI-driven critiques.
Secondary
The film portrays Christine Daaé as a devout Christian, whose faith in an 'Angel of Music' is central to her character and vulnerability. While she is manipulated, the narrative does not mock her beliefs but rather uses them to highlight her innocence and the Phantom's deception, ultimately aligning with a triumph of good over evil.
The 1925 film 'The Phantom of the Opera' does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers on a heterosexual love triangle and the Phantom's obsessive pursuit of Christine Daaé, with no elements suggesting queer identities or relationships.
The movie does not contain any action or adventure elements.
The 1929 film adaptation of "The Phantom of the Opera" faithfully portrays the genders of its main characters as established in Gaston Leroux's original novel. No characters canonically, historically, or widely established as one gender were depicted as a different gender in this film.
The 1929 film adaptation of "The Phantom of the Opera" features characters whose on-screen portrayals align with their established or implicitly understood racial backgrounds from Gaston Leroux's original novel. No major character's race was altered from the source material.
Viewer Rating Breakdown
User Ratings
N/A
10.0
Critic Ratings
N/A
N/A
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