Viewer Rating
Combines user and critic ratings from four sources
The abandoned Balfour House, the owner of which was found dead five years earlier, comes back to life with the arrival of two suspicious sinister-looking tenants. This film was lost in the 1965 MGM vault fire; only a few stills exist.
The abandoned Balfour House, the owner of which was found dead five years earlier, comes back to life with the arrival of two suspicious sinister-looking tenants. This film was lost in the 1965 MGM vault fire; only a few stills exist.
The film's core narrative, a murder mystery solved through rational deduction and the exposure of a supernatural hoax, focuses on universal themes of truth and justice, rendering its political stance neutral.
This 1927 silent film features traditional casting, reflecting the industry norms of its era with a predominantly white cast and no intentional race or gender swaps. The narrative, a mystery-horror, does not engage with or critique traditional identities or DEI themes, presenting characters within the societal context of the time.
London After Midnight, a lost silent horror film, does not contain any discernible LGBTQ+ characters or themes within its known narrative. The film's focus is on a detective investigating a mysterious death, with no elements related to queer identity.
The movie does not contain any action or adventure elements.
This film is an original production from 1927, not an adaptation or reboot of pre-existing material with established characters. All characters were created for this specific film, meaning there is no prior canon or historical record to establish a different gender for any character.
As the original screen adaptation of its story, "London After Midnight" (1927) introduced its characters without prior established racial canon from source material, previous installments, or real-world history. Therefore, it cannot contain a race swap.
Combines user and critic ratings from four sources