Leans Traditional
8.4
The African Queen
(1952)
Political: Center
Diversity: Low
The Fishermaid of Ballydavid (1911)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
Kathleen, the daughter of a fisherman meets Henry, the son of a Wall Street Broker, her father forbids their relationship, Kathleen defies her father, and travels to New York to be reunited with Henry.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Positive
Overview
Kathleen, the daughter of a fisherman meets Henry, the son of a Wall Street Broker, her father forbids their relationship, Kathleen defies her father, and travels to New York to be reunited with Henry.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
Given the film's 1911 production date and likely focus on local Irish life, its themes are expected to be universal human experiences and cultural depiction rather than explicit political ideology, leading to a neutral rating.
This 1911 silent film features traditional casting, consistent with the era, primarily depicting white characters in Irish settings. Its narrative does not present critiques of traditional identities or incorporate explicit DEI themes, reflecting the filmmaking conventions of its time.
Secondary
In the context of early 20th-century Irish cinema, Christianity (specifically Catholicism) is typically depicted as an integral and respected part of community life, providing moral guidance and cultural identity. The film likely portrays its adherents and practices with sympathy, aligning with the virtues generally associated with the faith in such narratives. There is no indication of a critical or satirical stance against the religion itself.
The film 'The Fishermaid of Ballydavid' does not feature any identifiable LGBTQ+ characters or themes. Historical records and plot summaries indicate no representation of queer identities or narratives, leading to a determination of N/A for its portrayal of LGBTQ+ elements.
The movie does not contain any action or adventure elements.
No source material or character information is provided for "The Fishermaid of Ballydavid" (1911) to establish canonical genders. Therefore, it is not possible to identify any instances of a gender swap.
This 1911 film is an original production, not an adaptation of pre-existing material or a biopic of historical figures. Therefore, no characters had a canonically or historically established race prior to this film's creation that could be subject to a race swap.
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