Leung Shan-Pak's Second Meeting With Chuk Ying-Toi (1952)

The film's central thesis explicitly critiques traditional societal structures, particularly arranged marriage and patriarchal gender roles, by championing individual freedom and love against systemic oppression, aligning it with progressive ideology.

The film features casting consistent with its traditional Chinese source material. The narrative prominently explores themes of gender roles and societal expectations, particularly through its depiction of a female character challenging established norms and the impact of patriarchal structures on individual agency.