Progressive
6.8
"Please Kill Me, I'm a Faggot Nigger Jew"
(1996)
Political: Strong Left
Diversity: High
LGBTQ: Negative
TR attends his son Archie's wedding at Boston, 1917 (1917)
Bias Rating
Analyzing...
Leans Progressive
Viewer Rating
Not Rated
Overview
On April 14, 1917, Archie Roosevelt marries Grace S. Lockwood at the Emmanuel Church in Boston, Massachusetts. Side view of TR entering an automobile with two women, the one following TR may be his wife Edith; TR doffs his hat as he faces camera; view of crowd outside the Emmanuel Church; and long shot of woman holding blanket up, perhaps to shield the bride's entrance into the church. Last two segments appear to be unrelated scenes: medium close shot of TR sitting in a car with an unidentified man and a close up of TR with a man in uniform, both scenes are outside in undetermined locations.
Starring Cast
Bias Dimensions
Political: Leans Left
Diversity: Moderate
Overview
On April 14, 1917, Archie Roosevelt marries Grace S. Lockwood at the Emmanuel Church in Boston, Massachusetts. Side view of TR entering an automobile with two women, the one following TR may be his wife Edith; TR doffs his hat as he faces camera; view of crowd outside the Emmanuel Church; and long shot of woman holding blanket up, perhaps to shield the bride's entrance into the church. Last two segments appear to be unrelated scenes: medium close shot of TR sitting in a car with an unidentified man and a close up of TR with a man in uniform, both scenes are outside in undetermined locations.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film documents the women's suffrage movement, a historical effort to expand democratic rights and challenge gender inequality, which aligns with progressive values.
The movie depicts a historical event involving women suffragettes, which inherently critiques traditional male-dominated political structures of the early 20th century. The representation is assumed to be historically accurate for the period, without explicit DEI-driven casting choices.
Secondary
This historical film, documenting women suffragettes visiting Theodore Roosevelt in 1917, does not feature any identifiable LGBTQ+ characters or themes. The subject matter and historical context suggest no direct or indirect portrayal of queer identity within the narrative.
The movie does not contain any action or adventure elements.
The film depicts historical figures, Theodore Roosevelt and women suffragettes. There is no information to suggest that any of these historically documented individuals are portrayed with a different gender than their real-world counterpart.
This 1917 film likely depicts a historical event involving Theodore Roosevelt and suffragettes. There is no indication or historical context to suggest that historical figures were portrayed by actors of a different race than their documented historical race.
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