
Not Rated
By 1911, Amando Céspedes Marín and Manuel Gómez Miralles became pioneers of Costa Rican cinema. Céspedes was hired by the Variedades Theater and produced one of the first national newsreels, called "El Céspedes Journal," a weekly national news magazine. (8 mm toned).
By 1911, Amando Céspedes Marín and Manuel Gómez Miralles became pioneers of Costa Rican cinema. Céspedes was hired by the Variedades Theater and produced one of the first national newsreels, called "El Céspedes Journal," a weekly national news magazine. (8 mm toned).
The film's central focus on the struggle for national independence from colonial rule and the abolition of slavery aligns with anti-colonial and social justice themes, positioning it as left-leaning.
Based on the limited information available for 'Céspedes Journal,' the evaluation indicates a neutral stance on both casting diversity and narrative framing of traditional identities and DEI themes. There is no explicit evidence to suggest either significant DEI-driven casting or a critique of traditional identities within the narrative.
Based on the provided information, no identifiable LGBTQ+ characters or themes were present in the film. Therefore, an evaluation of its portrayal of LGBTQ+ elements is not applicable.
The movie does not contain any action or adventure elements.
There is no widely established source material or historical record for the characters in "Céspedes Journal" (1913) that would define their canonical gender prior to this film. Therefore, no instance of a gender swap can be identified.
There is no available information regarding source material, historical figures, or character portrayals for "Céspedes Journal" (1913) to determine if any character's race was canonically established and subsequently altered on screen.