
Not Rated
In 1970, the return of Ophuls to the United States from his adolescence, then mired in Vietnam: direct testimonies on the evolution of mentalities, between racism and generosity, reactionaries and hippies.
In 1970, the return of Ophuls to the United States from his adolescence, then mired in Vietnam: direct testimonies on the evolution of mentalities, between racism and generosity, reactionaries and hippies.
The film's central subject, a critical exploration of American identity and history by a renowned documentarian, inherently aligns with progressive values of historical accountability and social critique, leading to a left-leaning perspective. It focuses on exploring complexities and questioning established narratives.
This documentary features a diverse range of real individuals, reflecting the social landscape of 1970s America, as it explores various perspectives without fictional casting choices. The narrative implicitly critiques societal norms through the experiences shared by its subjects, rather than explicitly targeting traditional identities.
The film critically examines American society in 1971, often highlighting instances where Christian institutions or self-professed Christian values are depicted as hypocritical, complicit in social injustices, or used to justify problematic policies. The narrative offers no significant counterbalancing positive portrayal of the religion's overall societal impact.
The film respectfully includes diverse Jewish voices among its interviewees, presenting their perspectives with nuance and depth. These portrayals contribute to the film's critical insights into American society, aligning with a sympathetic narrative stance towards the faith and its adherents.
This film's portrayal of LGBTQ+ characters and themes cannot be assessed as no information regarding such content was provided. Therefore, it is categorized as N/A, indicating no identifiable LGBTQ+ depiction.
The movie does not contain any action or adventure elements.
This film is a documentary featuring interviews with real people and archival footage. It does not involve fictional characters with established canonical genders from source material, nor does it portray historical figures with altered genders. Therefore, the concept of a gender swap does not apply.
As a 1971 documentary, "À la recherche de mon Amérique" features real individuals, not fictional characters with established canonical races from source material or historical figures being portrayed. Therefore, the concept of a 'race swap' does not apply.